The incorporated suburbs of Währing, Weinhaus, Gersthof, Pötzleinsdorf, Neustift am Walde and Salmannsdorf have been part of the Währing district since 1892. Even back then, it was a popular residential area and quite a few celebrities had and still have a property here – for the weekend or for the summer getaway in the city. Founded already in 1872 upon the initiative of Heinrich von Ferstel, the “Cottage Association” sold building sites for one- to two-story houses that were not to deprive their neighbors of light, air or vistas. Arthur Schnitzler lived with his family at Sternwartestrasse 71; Theodor Herzl’s last address in Vienna was Haizingergasse 29. With 5,061 registered Jewish residents in 1934, the Jewish population is comparatively small. It goes without saying that Jewish women and men, then as now, also lived in rented apartments and in municipal housing.
Out and about in "Our City!" - Währing
by Hannah Landsmann
© JMW
© Jewish Museum Vienna
© Jewish Museum Vienna
There are two drafts for the synagogue on Wienerstrasse, which has been called Schopenhauerstrasse since July 18, 1894. Planned by Jakob Modern and completed in 1889, the building featured an oriental touch on the inside and Gothic elements on the outside. This place of worship provided space for 116 women and 328 men. Nothing more is known about the second project than the date of submission, 1888, and the executing office, Ludwig Schöne, who came from Leipzig and was one of the busiest architects of the Ringstrasse era.
© Jewish Museum Vienna
In the small community there were orthodox and liberal views, which can also be seen in an organ building project. In the second half of the 19th century, the question arose in many synagogues whether an organ – the queen of instruments – should be used, on the one hand, to accompany or arrange the congregational singing and, on the other hand, perhaps most of all, to make the receptiveness towards modernity audible and visible. The renowned and still active organ building company Rieger in Vorarlberg was commissioned with the planning. The drawing of the floor plan and prospectus from August 1, 1889 alone was time-consuming and expensive, but ultimately in vain, because orthodoxy prevailed against the installation of an organ in the 18th district.
In 1881, before the synagogue was built, a Torah curtain (Hebrew: parocheth) had been crafted. Donated for the marriage of Crown Prince Rudolf and Princess Stephanie of Belgium, it was used in the prayer house of the district. A parocheth hangs in front of the Aron ha-Kodesch, the “Holy Ark” in which the Torah scrolls are stored when they are not being read from. It is interesting that the dedication is also made in German. “For the wedding celebration of Crown Prince Archduke Rudolf and Princess Stephanie. From the women of Währing.” The technical specifications in the museum inventory offer information about the material, size and condition. Silk velvet, tinsel, silver foil, bouillon threads, gold braid and brown-purple chintz went into making the richly ornamented curtain. Measuring 223 x 135 cm, the textile was restored in 1995. The “women of Währing” probably refers to the Währing Women’s Charity Association based at Schopenhauerstrasse 39.
Many objects in the Jewish Museum Vienna collection show that religion and patriotism or loyalty do not have to stand in each other’s way. Beside their interesting details in terms of art history, all of them express a deep sense of belonging – to the imperial family, to the monarchy, to the home one had been cheated out of since the spring of 1938 at the latest. Franz Modern, the grandson of the architect of the synagogue at Schopenhauerstrasse 39, was a doctor and fled with his wife to Shanghai, where his daughter Elisabeth was born in 1941. Dr. Modern wanted to do everything right and reported Elisabeth’s birth not only to the Jewish community, but also to the German consulate. Since Elisabeth cannot possibly be a Jewish name, her name was Rachel on the paper. For that which must not, cannot be.
© Jewish Museum Vienna
© Jewish Museum Vienna
Even before the synagogue was constructed in Währing, a Jewish cemetery had existed at what is Schrottenbachgasse 3 today. From 1784 onwards, this was the main burial place of the Jewish Community of Vienna for a long time. Funerals were held there until 1911, and the tombstones have both Hebrew and German inscriptions. A total of three exhumations took place during the Nazi period. Not all mortal remains were buried in Vienna’s Central Cemetery at their hopefully truly final resting place.
The Tahara House, ascribed to the architect Josef Kornhäusl, consisted of rooms intended for those to be buried, a “guard room,” a “wash room” and a room for the “viewing space during the funeral address,” which could be seen from the outside, as well as a small apartment for the cemetery employee. The plan was signed by an official of the municipal building authorities as well as by representatives of the Viennese Jewish community (Isak Löw Hofmann, Michael Lazar Biedermann and Leopold Wertheimstein). In 2012, the building was renovated and a prayer room added.
Because one only sees what one knows, the reference to the Rothschild Hospital, which opened in 1873, should not be missing. Erected by Wilhelm Stiassny at Währinger Gürtel 97, the building was demolished in 1960. The new structure, completed in 1963, houses offices of the Institute for Economic Promotion (WIFI), and has (only) had a plaque commemorating the Jewish history of this address since 2012.
© Jewish Museum Vienna
© wulz.cc
Speaking of municipal housing: How things from the past can be given a present again is made clear by the OT project, an initiative of the Jewish Museum Vienna, to shed light on history that is no longer told at 25 former synagogue addresses, such as the one at Schopenhauerstrasse 39. One actually cannot not see it.
